#49 - MED - Jupiter, Thelete, and the moral power of (male) violence
So, yet again, this is JLL with Gnostic Intel on the Internet. It's the 4th of June, 2017, and this would be installment number 46. I'm calling it “Jupiter, Thelete, and the Moral Power of Violence”.
I want to point out before I get started that this talk represents a continuation of commentary on the Karnabas crop circle that I presented in talk 45 as possible validation for the Gnostic solution to the Mandela effect, or at least a correlation of high significance. But what kind of correlation? You know, causation and correlation are different.
So I'm going to look at the question of the Kurnabas crop circle being causative in relation to this investigation or being merely a correlation. That's an important distinction. I'm also going to continue to comment on the subject of crop circles in general. And I'm going to take a big risk right now. It's appropriate at this moment, and what a moment it is, take a big risk and introduce the Jupiter-Thelete theme.
This is the wind blowing outside the window of the attic here. Can you hear that? Things are getting a bit turbulent around here. Hear that? So I'll close the window for better recording quality. But yes, taking a risk, you're not only entering now with me on a steep part of the learning toward the super-learning event, but it's going deep. It's going steep and deep at the same time. So pull up your booties, pull up your socks, and fasten your safety belt, because this is going to get risky.
Now, also I want to point out that I'm going to dedicate the first part of this talk to some cautionary remarks about the significance of the Kern Abbas Vesica Pisces of May 22nd. So, here we go. I'm assuming that you've done your homework and that you've listened to the “Challenge to the Crop Circle Wizards” that I put out on the airwaves in the end of August in 2011.
Let me say a little bit about the context of that talk. I had been in touch with Dr. Judy Wood for quite some time. We were having private conversations in the middle of the night, and I also collaborated with her on a couple of interviews. My mind at that time was focused on the notion of DEWs, or directed energy weapons. I do believe today, I do maintain, that the evidence shows what Judy Wood attempted to prove, namely, that the only rational and scientific explanation for the damage in New York City at 9-11 is the use of DEWs, or directed energy weapons. Where do I go from there?
Well, I go to the question of directed energy technology, which I would presume to be based on an understanding of physics that would include free energy physics. So, in 9-11 you see the demonstration, flagrant murderous, lurid demonstration of the destructive use of free energy physics. I might be wrong about this, but this is my operating assumption.
So the question on my back in those days, 2011, 2012, was, is it possible to reach the people who have that technology, some of whom might want to use it for benevolent purposes, and to call them out and get a signal from them? Of course, the second part of that particular exercise involved another assumption, namely that crop circles are created using the same directed energy technology that was used at 9-11.
Now, in the perspective of time, I have come to modify that opinion, and I am in the process of revising that opinion right now, so I want to make sure that you know exactly where I'm at right now, and that you're tracking my thinking on this matter.
I was really convinced at the time that I did the challenge to the Crop Circle Wizards that some of those who are responsible for the Crop Circles, in the UK at least, were in the military and I proposed that they were using this technology of shortwave directed energy bursts, directed or configured according to a certain template, that they were using it to impress these templates upon the cornfields and wheat fields. That was my thinking at the time.
Now I still maintain that that is possible. I still maintain that some crop circles can have been created in just that way using top-secret military technology of directed energy. I still maintain that and I stand by that but I want to modify my view in a most important way, namely, I don't think that all crop circles have been created in that way.
In fact, I'm tending to think that only some, or maybe a small number of crop circles, have been created by top secret military technology using a system based on a knowledge of free energy physics. So, let's take a look at the theories of the origin of crop circles. By doing that, I hope to give you an overview and a comprehensive perspective of how I'm approaching this question. Then we can go directly from this issue of crop circles back to the Kern-Abbas circle and re-evaluate it as validation or correlation of some kind to the Gnostic investigation of the Mandela effect. Clear?
So theories of the origin of crop circles. Well, this is not a terribly complicated affair. There may be dozens of theories, I don't know, but as far as I can tell there are really only four outstanding theories. First one, of course, which I'm calling Category A. Crop circles are created by ETs or extraterrestrials. Well, I have to say that I dismiss that theory totally off the top so we can eliminate that.
Second, that they are man-made. But you have to put man-made in quotes here. Okay, let's say they are human-made and how is this done? Well, it's done by people who call themselves circle makers and they use ropes and planks Now there's an entire history involved in the disclosure of the circle making activities. There's a long history actually goes back. I believe to around 1976 and if you follow that history forward you find that in 86, 1991, like 15 years after crop circles had been appearing in the British Isles, two characters named Doug and Dave came out in 1991 and revealed that they had been creating these crop circles, and that they were totally products of human activity.
So there's a lot of evidence and even further evidence today, including, for instance, interviews with the teams of people who create these crop circles, the circle makers. There's a lot of evidence that the crop circles, in England at least, the well-known and famous ones that have appeared onward from the mid-seventies to the eighties and nineties, and well into the present day, are created by human hands and human activity. And there's a lot of evidence that would lead a rational person to the conclusion that that's it, period, that's where it stands, one not need look any further.
I don't exactly hold that view, although I would say that Category B, crop circles constructed by circle makers using simple mechanical means, does account for most of the crop circles, many, many of them, but not all. My reservation there is that there are some crop circles that have appeared in circumstances that would not allow the time for that activity to occur, and also that the construction and complexity of certain crop circles and the precision of them is too great to allow for them having been made by human circle makers.
Also, I would raise the question, do these human circle makers make mistakes sometimes? Are they infallible? If they are not infallible, then that would account for the fact that crop circles appear to have astonishing precision and symmetry. There do not appear to be any mistakes. But if they are not infallible, then I would expect there to be some botched examples now and then.
So, where are those botched examples? Because my probative faculty, my Snoopy, tells me that if I'm going to conclude that all crop circles are human made, I need to see some botched or some flawed examples in order to prove that argument.
Let's go now to Category C. This is another type of man-made, that is to say, made using top-secret military technology based on free energy physics, directed energy technology. Well, you see, that's what I was assuming six years ago when I made this talk.
So the challenge was directed to those people, particularly in the UK, who might be in the military, or certainly in the military, but who might have a benevolent intention for this technology. And so, basically what I said in the challenge is, well, if you're there, give us a sign. No sign came. I asked specifically for a sign of the sort that would reveal in its configuration, in its symbolic structure, it would reveal some knowledge of Faraday, Maxwell, Tesla or something pointing to the field of free energy physics that could be identified, that could be decoded.
Well, I didn't follow every single crop circle from that moment on. I followed the crop circles very closely in the remainder of 2011. It was very late in the season by the time I posted that talk, you know. There was hardly anything out there. There were some puny attempts and maybe even some botched attempts, but no response. I think I followed crop circles somewhat into 2012, but I have not scrutinized all crop circles to see if there was ever a response to my challenge. Do you follow that?
So, regarding the origin of crop circles, I'm going to maintain Category B, man-made by simple mechanical means, and category C, man-made by secret technology based on directed energy physics. I'm gonna maintain that all crop circles are man-made, yes, and that they fall in some distribution into these two categories.
Now I don't have time to make a study to work this out, but if I did, I would do the research necessary to show, to gather the evidence that would show, that maybe five out of a hundred crop circles could not be explained by the application of the simple mechanical methods of chords, surveyor lines, and planks. That maybe some small percent, five or less, five or a little more, could not, simply could not be explained in that way.
So, that is the picture that I hold in my mind. As I say, I neither have the time nor inclination now to go and verify that that's a study someone might undertake. I must add, however, that I find it hard to believe that teams of circle makers could be out and around the country of Wilshire and Dorset in England, cranking out these constructions with such rapidity when crop circle season is underway, which is now by the way.
I just there's something about my gut instinct that tells me that that's not possible or else I can't see how they could pull it off. How many teams would there need to be? How many times were they able to do this without detection? You know, the circle makers are breaking the law. And, something to bear in mind here, I was talking with a colleague of mine who advised me on that point because I said, well, what is the purpose of the circle makers? What is their motivation? Are they, in some respect, attempting to deceive the world?
And she said, no, there's no deception in what they do, but they have to hide it because it's illegal, and they can be punished with jail time or fined if they are caught in the act. But nevertheless, I find it hard to believe that these teams, how many of these teams are there? How many teams does it take to go out into the English countryside from May until August and crank out these circles? And couldn't they be observed?
If it is known that human beings are doing it, would it be that hard for anyone to go out and observe them and track what they're doing? So I really have doubts about attributing 100% of the crop circles to the human circle makers using simple mechanical means. OK? You know it’s interesting to have returned to the subject of crop circles after a lapse of so many years. I haven't looked into the matter, really, I think since 2012.
Of course, thanks to someone who follows this channel, I received a link to the Kurnabas circle and it immediately caught my attention for obvious reasons, least of which is the timing, May 22nd. So, as I come back to the subject, I find of course that I'm way behind the curve. I haven't followed what's been developing in the crop circle community. But I advise you to look at the one-hour talk by Rod Buckle, which is more recent, as I understand it, and which brings up to date the understanding that you might have about what's happening in the world of crop circles.
And in this talk, he describes a conflict between tour agents and circle makers. Okay? And he explains, and I think this is a solid and sober explanation, I accept it, that the tour agents depend on mystification to run their business. There's a great deal of money to be made in crop circle tours and in selling all the doodads and gadgets and designs and calendars and CDs that go along with the crop circle mystique.
So there's a big business, and on one side of that business are the tour agents, some of whom are related to serious crop circle researchers who call themselves seriologists. So let's call that the mainstream community of the crop circle enigma. There is a mainstream community and it is a business. Standing over against them are the circle makers who obviously threaten that business.
Clearly, the, those who run crop circle tours are going to find their business threatened if their clients become aware that these fantastic constructions are the product of human activity, it blows the mystique completely away. So there's a conflict going on, according to Rob Buckle, and the conflict is a serious one, because in some respects the circle makers could expose crop circle tourism as a scam.
So, on the other hand, the circle makers themselves risk punishment and fines if they are caught in the act in certain fields. In some cases they have agreements with farmers, but in other cases they are actually damaging property and destroying crops that would bring revenues to the farmer.
So, this is the current situation, these are the two elements in conflict in the crop circle community today. Now I must say that I'm not comfortable with this picture at all. I've only become aware of this situation in the last 24 hours. The conflict between the mainstream of crop circle tourism and seriology or serious research which assumes that the circles are not a product of human activity and the circle makers.
I've only just become aware of the situation, I have to say I'm really uncomfortable with it. I have to say that the crop circle scene is an extremely contaminated crime scene and I do not trust the evidence and I do not trust the informants. I don't entirely trust the circle makers. While there is no doubt that they have shown, demonstrated how they make circles in the middle of the night, you can go and you can see this, I still don't accept that they could create all of the circles that have been observed. I just can't accept that. And I don't know what position they take on that matter. I'd like to do the research, which I'm not going to do, because I don't have the time, but if any of you does research in this matter, I ask you to see if you can find this out.
Find out if the circle makers, who take responsibility for circles, and show you how they do it, also allow that some of the circles that have appeared are not due to their activity. I would like to know that. Or do they claim that only human-made crop circles exist, human-made with mechanical means, not human made with secret, top-secret, directed energy technology. What is their viewpoint on that issue? I'd really like to know.
So, I'm uncomfortable about this situation and also wonder if the circle makers might be a kind of controlled opposition to the mainstream crop circle gang, in the sense that if there is some hidden secret military technology being demonstrated here, that the circle makers, by claiming that they produce all examples of crop circles, would be running cover, whether they know it or not, perhaps unwittingly, but they could be running cover for the more sinister forces possibly behind these baffling phenomena.
I have to say that smoke and mirrors abound around the crop circle phenomenon, and the levels and twists and turns of deception are extremely disturbing to me. I'll give you just one example. There's a famous occurrence of a crop circle that dates to July 1996, and that is called the Julia Set. The Julia Set, as you may know, is an inceptive formation of fractal iterations that are demonstrated in the Mandelbrot set. So the Julia set and the Mandelbrot set are related, and they occur through the same process of iterating equations to produce fractals, which are artificially produced forms on a computer screen.
And, as the story goes, in a field next to Stonehenge in the early morning, I believe it was, in full daylight, people were driving along the highway that passes Stonehenge and there was even perhaps a flyover of a plane and as the story goes there was no Julius set and then 20 minutes later there was a Julius set. This example has been taken and I myself took it as proof that some inexplicable technology causes the formation of these crop circles, because there is no way that a team of people could have worked in that field in full view of cars passing by, nor is there any way that they could have achieved the Julia set in twenty minutes.
But, I'm told by someone whose views I take very seriously, that the Julia set story is just a rumor, that it may be intentional disinformation, it may either be unintentional mystification, and there's a lot of that, around crop circles, the woo-woo factor, the new age make-believe factor, or it may be intentional disinformation. For what purpose?
Well, to try to convince people that there is some secret technology involved in producing these crop circles, when in fact there is none at all. I really don't know. It's troubling, very, very troubling. But we're not going to get bogged down in those issues. I'm just giving you this rundown at the beginning of this talk in order to set up the really juicy part which comes next. And that concerns Category D.
Now many, many people, including even Rob Buckle, have speculated on the possibility that there is some, quote, other explanation, not A, B, or C. And that explanation has been sketched out. How?
Well, there are devas, there are earth spirits. Remember Fyndhorn? Remember the legend about the earth spirits at Fyndhorn? The plant devas? Oh, it's the plant devas. Oh, it's some other kind of mystical forces. Or some angels, maybe. Or maybe even, who knows, perhaps, in your wildest dream, kiddo, something to do with Gaia. Hmm. With the planet itself.
So Category D I leave as an open category, and I intend to develop now, here, initially, and in some future talks, the notion that the interactivity you see in this investigation of the Mandela Effect can be compared to the interactivity between the circle makers and the land where they make their circles.
If you listen to the talk by Rob Buckle, you'll see that there are accounts coming from these circle makers, which are remarkable, accounts which, in my view, are well worthy of credulity and well worthy of consideration. Circle makers who present themselves sort of like graffiti artists working on the land using nature to create graffiti call themselves artists.
They say that their motivation is not to deceive anyone although they must often act under cover of darkness and in secrecy in order not to be arrested, they say that their construction is a work of art. These constructions are works of art, and they are artists. And they attest that on many occasions psychic experiences occur, and it is as if the land where they are constructing these circles or the forces in and around the land, the forces in the atmosphere around the land, respond vividly to their actions.
The land itself the earth itself the wheat fields and the cornfields of Wiltshire, respond to the activity of these human creatures who are inscribing these artistic designs upon the land. So, there is a notion of an interactivity, and I'm going to call that the Epinoia Nexus. I'm going to give a name to it, derived from Gnostic Intel, using the specific term from Nag Hammadi, the epinoia.
Epinoia means the creative imagination or creative thinking. Noya is a variation of the Gnostic word nus, which means intelligence. So the epinoia means the epi-intelligence. What is the epi-intelligence? Well, epi means beyond or above. So it means the intelligence that is above ordinary intelligence, but it is still human intelligence.
In fact, the Gnostic myth very clearly informs you how and when the Aeon Sophia endowed the Anthropos with the epinoia, which is also called the Luminous epinoia. So what is this epinoia? I'm going to introduce this notion here, because it plays intimately into the solution, I believe. I introduce this notion of epinoia now, and I intend to carry it forward all the way through to the last installment of this channel.
You need to understand the working of the luminous epinoia, which is a faculty that you possess, in order to be interactive with the correction of the Aeon Sophia. So what I'm suggesting about the Kern Abbas crop circle is not that it is an answer to the challenge to the crop circle wizards. Clearly it isn't.
But I'm suggesting that it exemplifies the epinoia nexus, or a particular zone of interactivity between human intelligence and the intelligence of the earth. The crop circle makers, who admit that they use simple mechanical means to produce these elaborate constructions also attest to extraordinary psychic and paranormal experiences that arise in the process of doing so. How could this be?
Well, it could be if they are actually interacting with the intelligence of the earth, if they are actually signalling to the Aeonic mother by the activities they undertake, signaling to her by the symbols and designs they inscribe on the land, and then she in turn, as a sensitive super-organism, is signaling back to them. And those signals come back to them in the form of intuitions, dreams, visions, and various kinds of paranormal experiences.
Some of these paranormal experiences are subjective, and some of them are objective and have been witnessed by various people in the field. So there you go. Hence I conclude that the Kurnabbas Vesica Piscis have nothing to do with my talk of 2011.
After all, I was directing that talk toward people in the secret military intelligence community, jokingly called, and I was asking for the signal or sign to come in a specific form which does not accord with the design of this particular crop circle.
So, who made this Kurnabas crop circle? Well, a colleague of mine suggested to me that it could have been made by a woman. You know, I'm calling the two categories B and C, man-made, but women could also go out in the fields and make crop circles, why not? And maybe some women decided to make that flagrant example, to present or to plant that fragrant example of the Aeonic power of the feminine, both the carnal power of women and the supernatural divine power of the mother goddess.
Maybe they decided to plant that as a clue and juxtapose it next to the male figure, making a statement, making perhaps a request, maybe asking, well, where are the men? Where are the men who represent the divine masculine that are going to be counterparts to women as they represent the divine feminine?
By the way, those two roles can be reversed. A man can represent the divine feminine, you better believe it, and a woman can represent the divine masculine, insofar as she becomes a warrior and a killer. So, okay, this is where it gets steep, folks. This is where it gets really steep. So I'm going to leave behind the evaluation of the crop circle phenomenon and I’m going to go look directly at the Kern Abbas figure and its timing and see where it takes us in this investigation. So here goes.
Let me make it absolutely clear that I do not resort to magical thinking to associate the Kern Abbas vesica piscis with this investigation. Even though it does demonstrate luridly the main guiding motif of the investigation, namely the almond complex, the Mandel complex, the almond vortex. It demonstrates all that, with perfect clarity, right, yes, but I do not claim that to be so because the Aeon Sophia produced it for the purpose of validation. No, that would be magical thinking.
Now in this process of becoming mantic, learning mantique, the art of divination, you have to take great care not to slide into magical thinking. There is always a tendency in this genre to slide into magical thinking. Might compare it to this. If you are learning the art of watercolors, then you know that when you master that art, this is your objective, you will be able to paint in an extremely subtle way and you will be able to use layers of color and very subtle gradations of color in aquarelles, in the water color medium.
But one of the first things that you must learn to master that medium is do not blur the colors. And it's very easy to blur watercolors because the medium is fluid and one color, if you don't apply it properly, will blur into another. Magical thinking is like the blurring of mantique.
When you have a mythophrenic fugue, you want to remain lucid and sober. You do not blur the fugue by magical thinking. I said at the beginning of the last talk that this particular example of the Mandela effect of the Gnostic thinking provides an opportunity to escalate on the learning curve and to acquire skills rapidly to acquire higher skills. I like that. To acquire higher skills in mantique rapidly.
And if you want to become skilled in mantique, you must practice the rigor of not slipping into magical thinking. And I just demonstrated it, didn't I? So if I don't attribute the kurn-abbas figure, as blatant as it is, to be a signal coming from the Aeonic Mother confirming that she recognizes her as the source of the Mandela Effect, then how do I see it?
Well, I see it as a correlation in the epinoia nexus. This is something that you need to learn. When you learn this, you're at the heart of the experiment. Correlations in the nexus are what Jung called psychic constellations that resonate in compatible ways with each other. Also, if those correlations or resonances, psychic resonances, in the epinoia nexus are valid, then they will also be tellestic. They will lead in a certain direction. The clues on a crime scene, if they are valid, will lead in a certain direction. The evidence chain is directed.
So all we have to do now is look at this particular clue, this particular instance of an event related to Mandela effects, hey, intimately related, I must say, I mean, wouldn't you agree? And when we look at it, we see where it is directing our attention.
So where does this talisman of the Kurn Abbas giant direct our attention? Well, I indicated that already. It directs your attention to a mythophrenic sequence that builds into a powerful fugue. The sequence is 1) Titanic giant male warrior god 2) Thor, the Nordic male warrior god with a hammer or thunderbolt 3) Indra, the Hindu or Indo-European thunder god, likewise wielding a thunderbolt 4) Wotan, the Scandinavian seer and warrior god who holds a wand which is a magic wand of power, a wand of knowledge and a wand of force. And then the fugue takes you directly to the Gnostic correlates, Thelete, the male counterpart of the Aeon Sophia, and again back to the actual planet Jupiter.
So Jupiter is, as I said, the planet most intimately involved with the Earth in achieving her correction, along with the Sun. By the way, on that note, I just want to make a quick correction of an error I made in some previous talk. I had said that the Sun at present is in a solar minimum, and therefore behaving very quietly and passively. But in fact, I believe the sun is presently in a solar maximum. Anyway, we'll be looking at the activity of the sun relative to Jupiter and the earth at some point in the remaining installments. Tak.
Okay, coming around the home stretch in this talk, I'd like you to direct your attention to that marvelous figure of the Kurn-abbas giant, the solar phallic warrior hero. Okay? Just look at that figure. I've reproduced it there on the tracking page.
Now, as I was looking at this figure, I says to myself, or myself says to me, hey, John, why don't you, you know, come up with some poetic or metaphoric image to capture what this creature represents, this carving into the face of the land. What does it represent? What does it suggest to you? What is a word that you can use to apply here? After all, I was cautioning myself and I was saying, look, I'm not going to slip into magical thinking and I'm not going to claim that the appearance of the Vesica Piscis crop circle juxtaposed to this powerful warrior figure is a message from the Aeon Sophia. No, I'm not going to say that. So it's not, if it's not a message, what is it?
Well, how about this? Let's call it a talisman. I thought, that is so perfect, but why is the word talisman perfect? This is the Jupiter talisman. This is the warrior hero talisman appearing at a certain critical moment in Sophia's correction, in this investigation and in this super-learning event.
This is a talisman, it is an omen of something really powerful in the making. And when I got the word talisman, when it came to me, it felt so right. This often happens in a mythophrenic fugue. You know, when you're running a fugue, you're really like Taliesin, which is an interesting name. Taliesin is the name of a famous Welch poet who was known for the power and elaboration of his poetic recitals which were mythophrenic fugues.
So if you go and look at the Hannes Taliesin, it's a very famous poem from Welch folklore. Welch folklore, you will see an example of a mythophrenic fugue in the legendary literature of the Celtic world. When you are really running a fugue it invites poetic inspiration into your mind so that you begin to see poetically and hear poetically.
So there is a poetic ring of accuracy when you are running a mythophrenic fugue correctly. So I'm running this fugue, right? Jupiter, Thor, Indra, Thelete. Bingo! The Kurn-abbas giant is a talisman. This comes up automatically and spontaneously in the course of the fugue. So then what do I do? Well, I do what every good snoopy detective does. I go and I check the background of the evidence. I see if there's any file on talisman. Go check the files. Go check the records of crime and see if there is any file that verifies this clue, this new element that has come into the fugue.
Well, lo and behold, read it with me. This is one of the great delights of this exercise, of this method. Talisman. Appeared in a dictionary in the 1630s, meaning, a magical figure cut or engraved under certain observances from French talisman, in part via Arabic tilasam, from Byzantine Greek, telesma, talisman, religious rite or payment, or earlier meaning, consecration or ceremony.
Originally, in ancient Greek, drum role please, completion, from talen or tilen, to perform religious rites, to fulfill, to complete. And that verb, talen, is from the Greek word telos, or teelos, I never know how you pronounce that word originally in Greek, meaning end, fulfillment, or completion. Now, consider this, not only is the verb talen and the noun telos, not only are those Greek words essential to the whole Gnostic method, which is the telestic method of shamanism, they are essential to the understanding of who created and maintained the mysteries, namely the teleste, those who are guided, those who are aimed, those who proceed toward a common objective.
Not only is all that true, but look at the way that I originally proposed the name of Thelete to be translated as the intended or the intentional. Well telos means an end, an intention to be achieved. So talisman means exactly that. It's derived from that same verb. So the talisman of the kurn-abbas giant appearing now is a massive clue falling in place in this investigation, even though it cannot be considered in a literal sense as a verification of a Mandela effect, it is a correlate to the investigation, and it is an extremely powerful one. It adds a new vector of force to this investigation and it introduces the subject of violence.
The talisman is the Kurn-Abbas giant, the representation of Thelete in a warrior aspect. Therefore, Thelete, as the talisman has clout? Look at the club. There is clout there. What is the clout? What is the clout of the talisman? What is the clout of the male counterpart of the Aeon Sophia? And what is the necessity for clout in human contribution to Sophia's correction? This is the leading question.
I said years ago, and I've been saying over and over, that Sophia's correction requires a measure of human participation, okay? It's a di-orthosis. It's a two-way solution, a two-way method of correcting the divine experiment on earth and returning it to the purity of its initial conditions.
Part of that correction process, the Aeon Sophia herself achieves alone and independently acting as the planetary intellicate. She does things, she is doing things now, that are beyond human control, obviously, beyond human power, even beyond human conception.
Some of the things that I tell you as an Gnostic teacher take you to the very frontiers and outer boundaries of conceivability. Look at Director’s Cut. But at the same time, there is, within the event of correction, a human component. There is a human contribution. And there is, within this human contribution, something else, something signaled by the talisman, the intentional, who comes to join with the Aeonic Mother in the event of correction.
Jupiter and the Earth are forming a common dynamic unit right now as I speak, and I can give you the astronomical evidence to support that statement. Jupiter and the Earth are establishing a standing binaural frequency wave between the two planetary bodies. This is the collaboration of Sophia with her consort Thelete. That finally, those in the GNE have been waiting for years for this, that finally kicks in, that finally becomes active. What does that correlation mean?
Well, it's a call to courage and commitment in the human species. The problem with truth is that it has no clout. I mean that truth alone, in and of itself, has no clout. Get that nuance? That being so, if you accept this, and it's a difficult and brutal statement, that being so, you can ask, well, what would truth be like if it had clout behind it.
I don't think anybody listening to these words, either right now, currently with this investigation, or at some time in the future, if there is a future on this planet, I don't think anyone who is sober and sane would disagree with me if I say that it takes a lot of clout, that is to say, violent enforcement, to support the lies that are operating on this planet.
It takes a lot of clout, for instance, to support the lie about what really happened in World War II, who really was Adolf Hitler, and what were his actual motives. It takes enormous enforcement of force and the threat of force to maintain the lies that run this planet according to the objectives of the psychopaths and enemies of life who spread those lies and who maintain those lies. There has to be clout. There has to be either direct, brutal, violent enforcement or the threat of enforcement behind those lies to sustain those lies?
Is there anyone out there who would disagree with that? Fine, then let me ask you this. What kind of world would it be if there was a sufficient degree of violent enforcement of truth? The violent enforcement of truth is the prerogative of Thelete, the warrior counterpart to the earth goddess.
It might also be called the moral power of violence. Now, some people may think that violence is by definition, categorically, immoral. Some people may think that it is immoral and unacceptable to use violence at all. But I propose to you that this investigation is going steep and deep. And down at the deep end of this investigation, you really need to brace yourself and face this issue.
I said many years ago in Santa Fe, and I said it with some reticence, I remember it must have been around 1982, I was giving a course on astrology and alchemy in Santa Fe and we were talking about the planets and we were talking about the whole astrological system such as I developed it at that time, which is nothing like conventional astrology as you know it.
And I said to the people in my studio at that time, I think there were like 20 students in my little studio off Lava Reda, off Palace Avenue, I said, look, I have to tell you something about Jupiter. Tonight, we're going to discuss the planet Jupiter. And you probably associate Jupiter with good fortune, jove, expansion, generosity, abundance, all these things.
I have to tell you, first of all, that the polyvalent structure of meanings around the planet Jupiter is the most complex of all planets. That is to say, Jupiter constellates a very complex and abundant cluster of meanings. It's polyvalent or polysemous. And central among these meanings is hatred. Jupiter represents the capacity to hate. And the capacity to hate is deeply connected with the will to violence, isn't it?
What has been lacking in Sophia's correction until this point is the presence of the male warrior element that takes responsibility for hate and the moral application of violence toward that which is hated. Now what do you hate? What does anyone hate?
The answer to that is very simple and is universal for all human beings. What a human creature hates, what a human animal hates, is interference with its natural way of life which is harmless and only seeking to survive and thrive.
If any force or agency or person comes along and interferes with your freedom to live your life in a way that does not harm others, the natural response to that agent or individual is hate. And the natural follow-up of hate is a violent action or the application of violent force or threat of violence in order to preserve your freedom in the face of that which threatens it.
Now this might seem very off message from where we were going with the Mandela Effect investigation, but I can assure you it is not. It is not at all. Remember I said there is a double thunder clap in the making. You can picture its power stored in a massive anvil formation in the sky, ready to release two massive bolts of lightning into the human psyche to activate the archetype of the male warrior hero, and to activate what is called the morbido, or the killing capacity of the human animal.
The other fork of that thunderclap that is in the making goes toward the direction of the target of hatred. And the target of hatred does relate to the Mandela effect phenomenon. Why? Because the signals that identify the target are present in certain instances of the Mandela effect. There is a third super-cluster.
The central puzzle piece of that third super-cluster is what? Where is it on the table? Look around the table. Where is that piece that is going to be the first piece you identify to watch the constellation of the third super-cluster of this investigation? That piece is already on the table, but it appears to be isolated. It just sits there. What is that piece? Interview with a vampire. Interview with the vampire.
That's the piece.
The Mandela shift in the title of that book and film which is vastly attested by residual evidence, therefore it is an irrefutably valid Mandela effect, brings your attention to what? It brings your attention to a vampire, or to the vampire.
Well, what is the difference? That is the subtle message to be investigated. So I can tell you now that this Kurn Abbas clue is extremely far-reaching and that it does validate this investigation, though not in the same manner of the validations that we have considered so far.
Now I have to leave it at this because I'm running over an hour here and there is a massive amount of material in this talk for you to assimilate. So I'll pick it up again very soon. In talk 47 I'm going to Wonder Woman. We have to get back to Wonder Woman. You know who that is. Well it sure ain't a Jewish beauty queen.
So on that note I leave you with these reflections and until the next time, may your attention be rewarded by the truth.