#46 - MED - Validations of the Gnostic solution to the Mandela effect
Hello once again, this is JLL still coming at you with Gnostic Intel on the internet. It is, let's see, the 31st of May 2017 and I'm here to look at some validations of the Gnostic solution to the Mandela effect, if I may be so bold.
You'll notice that this is the first time I've used the phrase Gnostic solution. So what's my claim? What's my pretense here? Well, quite simply, that this investigation presents the solution to the Mandela Effect.
It explains the origin of the effect, it explains how the effect operates, where it operates in the zone of the human psyche, and it explains the purpose and the message coming through the Mandela Effect. So I would call that the solution to the effect.
It recalls the master analogy or guiding metaphor, guiding trope of a crime scene. So, the solution to the crime is at hand. Now, you might think, hey, wait a minute, John, hold on, don't jump the gun here.
There are many, many, many Mandela effects on record. Some people say something like what? I've heard 2,000. There are certainly at least 200 well-known Mandela effects on record. And I certainly have not covered all 200 of them in this investigation, have I? And I certainly will not cover as many as 200 by the time the investigation is completed. Perhaps I may cover as many as 50.
So how can I say that I, the Gnostic teacher, has solved the riddle of the Mandela effect, this baffling phenomenon, when I've only covered a small sampling of the instances? That’s an objection that might arise in some people's minds, and it arises in my mind, and it's a valid objection.
So let me just address it quickly before I go on to the first example of what I'm calling validations in real time of this solution, validations of the interactivity of the Mandela effect with those who are approaching it and apprehending it correctly.
Now I'll be brief in this prefatory remark. There's really no need to elaborate. I just want to specify a point about the conditions of this investigation and another point about my objective. The conditions of this investigation are complicated. The crime scene is very complicated.
There is a fair amount of spurious evidence, false clues, contaminated evidence and mistaking evidence that is in fact not evidence at all lying around the crime scene. So to be consistent with that analogy, I would offer you this understanding. The crime to be investigated here, the essential origin and purpose of the Mandela Effect, does not require scouring every clue or every supposed clue on the crime scene.
No, not at all. It simply requires gathering a sufficient amount of clues to build a clear and coherent picture of the crime. That's what we're doing. That's why I don't need to go through every proposed example of the Mandela effect. To adhere to the crime scene analogy, you could say that there is a basic crime we've been investigating, a basic event, but that crime, let's say, belongs to a whole network of criminal activity. I mean, that's a pretty good analogy.
Looking at the world today, it certainly applies to many areas of life, politics, for instance. For instance, the politicians of the Western world committed a crime by falsely indicting Iraq as having weapons of mass destruction. Even today, they're recommitting that crime by falsely alleging that the president of Syria, which is a sovereign nation, is harming his own people and therefore he must be removed.
Okay, that's a central crime that sits in the middle of a vast criminal network of events around that crime. There are many other criminal activities. So likewise, turning the metaphor around and making it a benign trope, the event of the Mandela Effect is the central supernatural event on the planet today. This investigation will allow you to have a mastery of the essentials of that event, and then from there on, as the super-learning event unfolds, well, there is very likely to be, and there certainly will be, a network of other related events around this central event.
Each and every one of you can then do your snooping, do your sleuthing, according to the biotropic clues that appear in your life. Many of you are already reporting biotropic clues. Why are the biotropic clues there? Because they lead into other areas of the network around this supernatural event, which are for your individual and personal investigation.
So I am just laying down the scenario for what may be called the generic meaning and the generic message of the Mandala effect. And by the end of this, these installments, number 64, I will have brought that investigation to the point where you can take it on and you can go on and investigate the entire network of events around the primary and primordial supernatural event, which is an act of divine intercession by the planetary animal mother, reaching to the human species, reaching to humanity in this remarkable, astonishing, astounding, baffling, and delightful and amusing way. Right here, right now. So that ought to be clear enough. That's my objective. That's my intention for you and with you.
Bear in mind that I've often said that the telestic method of the Gnostics is based on asking a question. In the telestic method, you go to the organic light and ask a question. In the medieval legend of Parzival, you'll find the question motif, or what scholars call the grail question. This is a unique plot feature which seems only to have appeared in just that way in the Celtic materials, and I've written a lot about this on metahistory.org.
Coming out of Celtic, Northern European Celtic-Aryan folklore, and particularly out of the area of Wales, although the best version of Parzival was written down by a Bavarian knight, Wolfram von Eschenbach, coming from that area of the world where the Diaspora of the Mysteries took refuge, you have this unique factor of the Grail question.
So being able to ask the right question in the right situation without being prompted. Why is that a plot factor in the story of Parzival? Why does the story itself insist, the conditions of the Grail quest insist that he must not be coached, he must not be told what question to ask or even that he need ask a question.
Well, there's a really profound truth embedded in that legend of Parzival and the theme of the Grail question, but I can tell you that the application of it is close at hand in your minds and in your lives as you hear me speak. Asking the right questions is what you're learning to do in this investigation. Every question that leads to a transcendent answer, a transcendental solution, must be framed in the sacred narrative.
So the narrative itself guides you in the question forming process, you see? And so I'm sure you have many questions already, you know, many questions about this event of supernatural intervention conducted by the Aeonic Mother herself.
For instance, I'm sure that one of the burning questions that has come up is, well, what's taking her so long? You know, why has she taken so long to effectuate this intervention? You know, that's a very valid question. And how do you answer that question? You have to stay in the narrative. Do not speculate.
Stay in the narrative, stay in the plot of the Sophianic myth, and realize that you are now living out the plot in its denouement, as the French say, in its conclusion, in its culmination. And so, the answer to that question can come. I can give you some clues to that, because it happens to be a matter that I've looked into rather deeply.
But you are going to be responsible for forming your own questions and answering your own questions, and not totally in solitude. I dearly wish that you will do this among each other and with each other, but that is the technique and all questions can be answered at the right moment within the narrative, if you hold those questions in a lucid and sober way. I assure you, I assure you, the method will never fail you. Tak.
So with that said, I'll proceed to these validations of our investigation. And for the first one I'm going to start out by referring to some cosmological intel, which has come through the Internet, through those serious and reliable individuals, as far as I can tell, who are attempting to understand the bizarre and anomalous events that are happening in the atmosphere of the Earth and have been happening for some time now.
You may recall that around 2009, 10, 11 there were many reports on the Internet about bizarre sounds being heard around the planet. I was able to show when I introduced the Gaia Navigation Experiment in March of 2011, I was able to show that those sounds, some of those, the genuine ones, were actually coming from the Earth due to the activity of the planet in signaling to the galactic core, and due to other changes in the macrocosmic action of the planet, in the macrocosmic situation of the planet in the solar system.
And I showed in the GNE, and those who followed the GNE actually tracked these events, I showed that the planet Earth is doing two things on the macrocosmic level. She is first of all undergoing vast changes in her propulsion and in her navigational system. And you can actually follow how this is happening.
I also noted that, according to the narrative, and you should always bear this in mind, the Earth is an organic planet captured in an inorganic system. So what happened with RESET, the three years from March 2011 to 2014, was that Sophia began to liberate herself from the capture of the planetary system. And this is all the big picture of the Sophianic narrative, which you can follow.
Currently, a lot of attention is going to bizarre and dramatic events in the atmosphere of the Earth. And here, I find the first validation of what we are doing, and it is indeed a stunning one. Remember that interactivity is the operative term here. You can ask yourself over and over again, how is the source of the Mandela Effect being interactive with those who are detecting its true nature, its true origin and purpose?
There is a feedback loop, if you will, between us in this investigation and the source of the investigation. So it's fair to ask, how is she acknowledging our presence and our participation in what she's doing? You can formulate the question in, you know, many other ways, probably better, more casually and comfortably than I just stated it.
Now I ask you to recall what I've often said, namely, that Sophianic cosmology is verified in the Electric Universe or Plasma Cosmology model that is now developing rapidly and gaining ground all the time. And so, it's not surprising that some verification of interactivity would come from those people in that field.
Now, I want you to note the timing of the last few installations very carefully. On May 17th I concluded the three-part talk on the anomalies in the divine experiment and there I go deeply into the cosmological narrative and I recount specific episodes of the fallen goddess scenario.
In doing so I provided a descriptive syntax using the language of astronomical physics, and particularly of EU plasma cosmology, to wit, braided plasma current, Birkeland current, single-strand current, plasmic jet, plasmic expulsion from the galactic core, etc. These are all routine terms used in the theory of the Electric Universe.
So I completed those three talks on May 17th and, what, five days later, okay, on May 22nd, a braided Birkeland current was seen in the terrestrial atmosphere of the earth for the first time ever. How do you like that?
Now that is really, if I'm not mistaken, and if the people reporting are not mistaken, that is an event of paramount importance in the cosmology of the EU model, as well as paramount importance in the life of the Earth.
So, plasma cosmologists such as Wal Thornhill have been talking for years about the braided Birkeland currents that can be observed in the outer cosmos at large. That is a standard feature, the standard feature of the Electric Universe, is plasmatic currents which often but not always appear in braids.
And so, here comes the Gnostic teacher using the language of plasma cosmology to recount key episodes in the Sophianic vision story, and bingo, what do you get? Braided Birkeland currents seen in the terrestrial atmosphere. And they can be seen by the naked eye, you don't need infrared equipment or fancy radio telescopes or anything like that. I advise you strongly to go to the article by Yolanda Doehling, which contains embedded the YouTube clip depicting this phenomena.
You'll notice also that both single and double strand currents have been observed since I completed those three talks. Aha, aha, and aha. The anomaly of Sophia's plunge involved a single strand, or what might be called a corkscrew discharge, and I've explained that very great fact at length, contrasted to a double strand or a braid, typical of most Birkeland currents.
By the way, if you want to read about Christian Birkeland, go read the book, “The Northern Lights”, by Lucy Jago, J-A-G-O. It's a really brilliant and easily readable book about the life and accomplishments of the man after whom these plasmatic phenomena are named.
So what you see here, and it's only getting started, you don't have to believe me, just pay attention. Don't believe me. I never ask belief. I never ask that you take anything on faith. Just pay attention. So what's happening here?
Well, the entire planet is being given the opportunity to see before their very eyes illustrations of her story, the myth of the Aeon Sophia, as it is being told to the world in the context of this investigation.
Recall the line in the Valentinian exposition. It's cited in “Coco de Mere” on metahistory.org. “Coco de Mere” is an essential cosmological commentary. Now we must try to imagine what Sophia dreams as she contemplates the template of the Anthropos, the human genome, before her plunge. While she is still within the proper limits of the Pleroma, she produces the dreaming of a world to come. Yet she does so in an anomalous manner, unilaterally, by herself, without pairing off and sharing her vision with another Aeon.
This is not a violation, nor a transgression, I might add, but a departure from the usual operations of cosmic law. For it is the will of the originator not to allow anything to happen in the pleroma apart from a syzygy. Syzygy means a pairing or coupling.
The will of the originator does not constrain the generators. The Aeons always remain free to act without a counterpart. So, you have there the language of EU cosmology, genuine scientific astronomical physics, and you have the mythopoetic language of the Sophia myth, the Gaia mythos, and they describe the same thing. The single-stranded or corkscrew expulsion of plasma, and the braided expulsion of plasma.
So, there's some validation for you. You could almost say that it's as if, and this is a very big as if, or is it as is, you could say it’s as if the planetary animal mother, in response to the attention she gets from your participation in this Gnostic investigation, is producing phenomena before the eyes of the world at large to confirm what she is doing and to confirm that she is aware that you know what she is doing. And it gets better.
Take a look at this image of the corkscrew plasma emission. That is to say, the emission that proceeds with a braid, but not a double-stranded braid. It's still a braid. Plasmic emissions are always a braid. But take, for instance, the braids of a young girl. Her name might be Wendy, for instance. And Wendy is kind of red-headed, as Mary Magdalene was said to have been. And so Wendy parts her hair in the back, and she pulls the two clumps of hair into her two hands, and each one of those is a braid, and then those two are braided together, or can be braided together, into a single braid down her back, or they can be braided as individual braids on each side of her face.
However, there is a Mandela effect involved with Wendy's braids, isn't there? And what is that effect? Well, I'll give you my personal response. It seems to be a genuine effect. There appears to be residue showing that Wendy, the cartoon icon girl for the hamburger franchise, cows are sacred, you know, sacred to the Mother Goddess. The Mother Goddess is a cow in the form of a cow, her name is Hathor.
So, where was I? So the perils of being a comparative mythologist tend to run off in a mythophrenic fugue on the slightest pretext. So, yeah, the effect as far as I can see is that she now has her hair arranged in a different way than before.
The occluded memory has Wendy with two braids on each side of her face just coming down and touching her shoulders, but the present occluding version apparently shows her with no braids but, but, drum roll please, what does she have instead? Well, I believe it's called pigtails. So you see, you can't lose. You can't lose.
This is a win-win situation. This is a learning event that is intended to allow you to win both ways. I said when I began to talk to some close friends and tell them that I was going to plunge into the Mandela Effect and I was going to go public as I had never gone before on the Internet and set up a YouTube channel and try to do an interactive teaching event, I said, I realized that in the eyes of some people, not that I care about my reputation, believe me, but in the eyes of some people I would risk my status and I would risk my reputation as a scholar and a comparative mythologist by dabbling into a pop phenomenon that may very well be a complete psyop
And we talked about that and I laughed and I said, you know, I'll tell you something, when you know the mind of the Aeonic mother, the world mother, when you know it as well as you can, as well as I do, you know that she can turn anything any way she wishes and any way she wants. And so I laughed and I said, I don't care, I'll take the risk, because even if it is a kind of psyop, or even if it is corrupted into a psyop, she can still use it to reach the human mind. So you win both ways. Is it braids? Is it pigtail? Is it pigtail? Is it braids?
Those are the two forms of the Birkeland currents. She is bringing your attention to the cosmology of her own story, bringing your attention graphically and visually to the cosmology of her own story. So I tell you today you have cause to rejoice, if I might use a biblical expression, you have cause to celebrate because there are millions and millions of people in the world today, looking at the sky, amateur astronomers, professional astronomers, millions of people out in nature looking at the fantastic electrical displays, 3,000 violent electrical storms every second of every day on this planet.
3,000 and counting, and the electrical storms are taking on a different nature and the auroral lights in both the northern and southern hemisphere are lighting up like a Dakini pinball machine. And you can celebrate the fact that among all the millions of people who are watching this phenomena in real time, and add on those millions who are picking it up on clips, on clips from on the internet, you among them know exactly what you're seeing and you know why it's appearing in that way right here, right now.
These events represent, demonstrate, display, her audition before the collective consciousness of the human species? And do you think she'll win an Oscar for her performance? And so she might blurt out with girlish enthusiasm, you like me, you really like me. Do you really like what you're seeing? Do you really like knowing what you're seeing? You like me, right now you like me.
You know the word Sally comes from an old French route meaning a sudden rush, a rushing. Salir means to leap or to rush Salir actually S-A-I-L-L-I-R in French, but it's closely related to the Spanish word Salida, which means to depart. But basically, the Latin Salir is the root of both the French and Spanish word. And Salir means to leap, Sally fields, the leaping fields. What are the leaping fields? They are the auroras on the north and south poles of the earth.
Can you think of any more vivid or outrageous and audacious way for the planetary animal mother to reveal herself to you than through the Sally Fields? And it may be so that Sally Fields, the actress, that's the occluded form, it's now called Sally Field, it may be true that Sally Fields, who's deeply involved in numerous Mandela effects, and is a biotropic clue for yours truly, by the way, has a brother at CERN, but it ain’t the field of morons at CERN that is producing the field of dreams and the Sally Field phenomena in the atmosphere. No way.
So she gives you the opportunity to see what is false side by side with what is true. And in this outrageous display of Prunikos, of her audacious display of beauty, she's asking you, gushing like an innocent girl, you like me, you really like me, right now you like me. Why is it right now?
Because right now is the only time in the whole course of the Aeons of millions of years of this experiment that she has been able to display and reveal herself in such a manner. And right now, as I'll show in another commentary, is Kalika syntax. She puts the language of Kalika planetary Tantra syntax into the mouth of Sally Fields. This is interactivity.
This is real. I am not making this up, but I am making this up, and so are you. And that is the secret of it all, my friends, is to make it up as it happens, using your gift, your endowment of creative imagination. And as you do so, always, always remember the origin and basis of what you are inventing, what you are creating and co-creating with the Earth itself.
When you do that, when you follow those two simple rules, staying always within the narrative, the invention just gets better and better. It gets richer and richer. And the mythophrenic fugue, as you know by now, operates as a chain of evidence leading to truth, leading to the truth and to ultimate truth, to both kinds of truth. So you will see over and over again that it really does get better.
Let's go back, for instance, to the super-cluster right now and look at the Ford logo. Hmm, gee, that's odd. I mean that really is odd, you have to admit. I mean the gap in the VW logo is one thing, you know, that could be a design feature, that could be just a change in the, you know, in the ornament, you know, deliberate change by the corporation.
But what is this silly pigtail doing in the Ford logo? A pigtail. You mean a corkscrew. You mean something like a single-stranded Birkeland current. But what is it doing in the Ford logo? Well, what does the word Ford mean, apart from being the name of an individual, who is, by the way, essential to the central cluster of this phenomenon, as you know.
Well, it means a shallow place in a river or a stream that we can walk across, a crossing place, a crossway, a cross over, a place of passing over. And you wade or walk across or drive across. It comes from Old English and West Germanic origin, from a word wurde, meaning to fare or to go on your way, to wind on your way, some people might say.
A shallow place where water can be crossed, okay? So, what is the shallow place in the cosmological narrative. Hold on to your booties. Look at the structure of a spiral galaxy. The central hub is round like a yoke and it can present a considerable bulge. But look at the limbs of a spiral galaxy. They are wafer thin. That is a shallow stream. The spiral arms of the galaxy are a shallow stream. What is unique about the plasmic expulsion, identified mythopoetically as the plunge of the Aeon Sophia from the galactic core, what is unique about that plasmic expulsion?
According to the EU plasma cosmology scientists, there is nothing unique about such expulsions, they happen all the time, and you can see many, many images of them. But you will note that the images of plasmic jets expulsed from the galactic core proceed vertically from the core.
They do not cross the wafer-fin area of the galactic limbs, do they? But in one instance they did. And by the way, there is residual evidence of that passage, that fording across the shallow stream of the galactic arms. There is residual evidence of it, and I will present that to you. Scientists discovered it some years ago.
There is something like a tunnel, which might be compared to the exhaust trail of a car that floats in the road after the car, the speeding car, has disappeared around the bend. So focus again on the two master puzzle pieces at the center of the super-cluster.
There is the Volkswagen logo which shows the current event of planetary mitosis, and there's the Ford logo which depicts a corkscrew or pigtail current in the action of fording a shallow area.
The expulsion of the plasmic jet of our Divine Mother radiated transversely, laterally, across the galactic limbs. And there you have it, there you have the image, if you have the eyes to see it. But all the clues in the world don't count if you don't know what crime has been committed.
So on that note, I'll wind up this installment and I'll continue in the succeeding one with more validation, which is really on the same level of astonishment as what you're seeing here. At least I'm pretty astonished. So we'll see how it comes over to you.
I advise you to refer to the tracking page. We're at page five now, probably get up to eight or nine. And when this investigation is done, you print out this entire set of tracking pages and keep it in a notebook. You'll have a record in detail of this investigation. You can return again and again to that record. It will verify your snoopy instincts and your snoopy talents, and it will strengthen and hone your sleuthing skills.
So, just now I would mention in closing that there is of course the article by Yolanda linked in this, in the material on the tracking page for this installment, number 44, and there is also a link to “Coco de Mere”. There is ah additionally, definition of the word Sally, definition of the word Ford, and some more written material on the imagery of mitosis and the fascinating item of the pigtail splice, which is also called the rat-tail splice.
So, if you go and read Director's Cut, you will see, I wish you the best, you will see that I have used the image of the pigtail splice already in that article, which was written, I don't know when, sometime last year, when I established Mythophrenia, I wrote Director's Cut.
So, even before I came out with this YouTube channel, as you see, I was working the evidence and laying down the foundation for this investigation. Finally, just a delightful etymological excursion into the name WEND or WENDEN. The beautiful word Wendan, to Wend, is again from Old English, Middle English. You'll note that with the exception of some Sanskrit terms and even a Tibetan term, which I'm going to get to soon, that's in Noxema.
Zema is the Tibetan word for pretty. So, noxema means pretty by night. It's a compound of the Latin nox or nux for night and a Tibetan word, so it means pretty by night. What's pretty by night? And what feels like a cold cream on your skin?
Anyway, the point is that most of the allusions she uses come out of the Germanic and Indo-European, Aryan and Nordic languages, don't they? And do you think that is accidental? Well, think again. There is a great intention behind that. There is a deep intention of the Mother Goddess behind the use of that etymological syntax to carry her signal.
So there's a little paragraph on the wonderful meanings of this Wendy word with reference to the German Wendung, which means to turn or you could say to shift, to turn, to shift your course. Wendung, to shift your course. Well what is the Mandela effect about? What are people saying?
Oh, there's a shift, there's a big shift happening. Oh, I feel the shift. Oh, I saw 666 in the name of my breakfast cereal this morning. There's a big shift taking place. Oh, there's a big shift, but we don't know what it is. Oh, yeah, there's a big shift of consciousness.
What shift? What shift is it really? Can you follow the shift or are you just lost in the sauce? Well, that's a rhetorical question of course, because I know that those who follow this channel are most certainly not lost in the sauce.
So, I'll leave you with that happy thought, and until the next time, as ever, may your attention be rewarded by the truth.