#37 - MED - The Lucy set and Berenstain bears, luminosity of the earth
Hello again, this is JLL with Gnostic Intel on the Internet. I'm recording at midnight, May 9th, 2017. This is installment number 35 in the Gnostic investigation of the Mandela Earth. And it is titled, “The Lucy set and Berenstain bears, luminosity of the earth”.
Now I suspect that you, like myself, are excited to follow up some of the clues that we have been investigating and to continue with the deciphering of the super-cluster. And I'm pretty sure as well that you're pretty excited about the transgression clue that came up as I went back to the Gnostic Coptic Library to comb through some meticulous lines and statements or propositions in that material which are of utmost importance to the structure of the Sophianic narrative.
I guarantee you that we will get to those. I will get to those, and I will return to those clues, the super-cluster constellation as well as the transgression clue, which is really a blockbuster when you unpack it. Soon enough, right now, I would just advise you that, of course, this investigation is not entirely linear, nor is the process of putting together a jigsaw puzzle, is it?
If we were sitting around the table, let's say that we had a round table and we had a rectangular jigsaw puzzle at the center of the table, some of the pieces are in a pile outside of the frame, some of the pieces are in the frame in larger and smaller clusters, and there are some individual pieces in the frame. For instance, Berenstein Berenstain bears is an individual puzzle piece inside the frame that doesn't appear to fit into any of the other parts that have already been constructed. Right?
The Lucy set, however, consists of five pieces. You will find them listed in the tracking page. I would advise you, by the way, that the material in the tracking page for this particular talk is quite long and dense. I'm providing it to back up my research and my findings so that you know exactly where I'm coming from. That way you can exercise your probative faculty with the confidence that you are working from solid evidence, objective evidence. Tak.
As I say, this process, this investigation is non-linear, just as would be the case in the investigation of a crime, where the detective or team of detectives have to move with the evidence and they have to work through the evidence to find out what is valid and what can lead to a body of proof that can lead to the solution of the crime. In the case of the jigsaw puzzle, well, typically, you know, you construct a certain section of it, like we have constructed the super-cluster, and it's a big section, it's outstanding, and you get a sense of the definition of the picture that is portrayed by the puzzle, the scene, whatever it might be.
So you have luck putting together a certain number of pieces rather rapidly, and then you typically arrive at a point where you stall, don't you? You can't add anything more to the largest piece that you've constellated, the largest piece that you've constructed within the frame, and it becomes a little dull and boring to keep looking at that piece, trying to figure out what is the next piece that goes into it. So what do you do then?
Well, you shift your eyes to another area. You look at a single piece that's intriguing you, try to figure out what detail of the overall picture is portrayed on that piece, Berenstain bears, or you go to a cluster in development that is not yet a super-cluster, such as what I'm calling the Lucy set. And that way you let your attention play over the puzzle. You don't get bogged down in one section where you can't find the pieces you need to fit together to expand the solution of the puzzle.
So it's nonlinear and that's how I'm working here as well, and I invite you to cruise along with me in that attitude. So what I'm going to do today is the first of three talks that go together very tightly, that work very tightly together. In this first talk, I'm going to look at the Lucy set. We're already familiar with that. We're going to review it for a moment. And then I'm going to see how this single piece, Berenstain bears might actually lock into the Lucy set.
Now when you think of Berenstain bears, what do you think of? Well first of all, it has been one of the top ten Mandela effects, I would say, maybe even the top five. It is a sensational effect to many people. Now I don't remember being introduced to these storybooks because I'm too old, but some younger people do know them well. I have nevertheless followed many presentations on Berenstain bears. I want to warn you by the way that Berenstain bears is also a clear case of one instance of planted evidence or tampering with the evidence, and I'll link you to the clip that illustrates that.
So bear in mind if you don't know already that some people who are just, I don't know, bored I guess, or they like the sensation of cheating and tricking people and getting clicks or views on their channel. I don't really know, but some people are meddling with the evidence and using photoshop to produce false Mandela effects.
So be on guard about that. So let's go look at the Lucy set again. I've constructed another graphic diagram of a cluster in development. It's not quite a super-cluster here, but it's getting there. It's getting there. In other words, from the basic five pieces in the Lucy set, there is a super-cluster, a second super-cluster in development, in progress. What you are actually doing by following these clues is following a procedure that was defined in Jungian psychology as the tracking of feeling tone complexes.
In Jung's early work of 1904 when he met Sabine Spielrein, who was a prized protege of his, he subjected her to an association experiment, her and other students and patients at the Burgosli clinic near Zurich. Subjected her to the experiment where the subject sits in a chair and holds two copper rods, I believe, and then these are connected to a primitive machine that shows changes in electricity, tension on the skin, electric tension on the skin, temperature of the body, and a couple of others. A very primitive biofeedback machine back there in 1904, and when Jung was experimenting in this way, he would read a set of keywords, I think he read like 50 words, and then he would register the reaction of the subject to those words. They would say a word in return and he would observe the reaction on the primitive biofeedback device.
And in that way he determined the psychic constellations that were operating in the mind of the subject and he called them psychic constellations. The constellating of what he initially called feeling tone complexes but which he later called archetypes. So the technique that we are using you could say in this investigation is firmly grounded on a very classical technique from the foundations of modern psychology. So there you go. I wonder if you might get a little kick out of that. I do.
So the Lucy set. One, Lucy Van Pelt, to give her a full name, it's a character in Peanuts. Two, “I love Lucy” comedy show comes up with reference in the Gnostic mind to the identity of Lucifer and Sophia. I love Lucy. I love Lucifer. I love Sophia.
Lucille Ball, the full name of the actor, she's a comedian. The comic strip is about comedy, comedy, comedian, the comedic flair. In the Lucy set, there is a strong element of the comedic flair of the wisdom goddess. Do you know that wit and wisdom come from the same Indo-European root? W-I-D, which is also the root of the word wizard. It can be W-I-Z. You'll find in the related essays on Mythophrenia that I explain at length the elaborations of this Indo-European route.
So the wisdom goddess, your divine mother, has a great wit. She has a cosmic wit. She is, in fact, a sort of comedian, and she loves to operate in the medium of comedy. And I can also prove that in a very interesting way, which may come up toward the end of this investigation, if I get around to talking about the identity fugue in the lucid dream of the earth goddess.
So Lucille Ball, well what does it mean? It means radiant. Lucille means shining, radiant, divine, emergent. There is a radiant ball, a shining ball. What is this ball? Some splainin’ to do? Well, we're right in the middle of that, aren't we? The wisdom goddess teaches us. Sophie's got some splainin’ to do. Bronte teleos nous. That is the Greek title of “Thunder Perfect Mind”.
“I am the gnosis of my own seeking. I am unlearned and it is from me that you learn”.
This is this beautiful expression. By the way, I don't mean to imply, I didn't mean to imply in reading from that arotology that it was actually the goddess Sophia directly, the divine intelligence of the earth, that spoke or wrote those words. Obviously not, it was a human animal, a human being who wrote those words and heard them in some sort of trance state, most likely in the trance of the inner cells of the mystery schools and that's coming right around the corner. So we'll look closely at what was the trance undertaken in the telestic method of the mystery schools and how that trance was achieved.
In that trance, the initiates of the mysteries were able to contact the divine mother, the wisdom goddess and she instructed them as a teacher. This is a very great fact. Finally there is Snoopy, the dog character, the beagle character in Peanuts. And that lovable animal, that adorable little animal, represents of course your probative faculty.
So there we go, there's the Lucy cluster or the Lucy set as it stands right now. It's not a super-cluster but there's a good core of constellated elements here. Now let's see how they work out in other directions. In the graphics I provided I have colored in green the elements of the Lucy cluster that have already been identified and discussed to a certain extent. And then I've used black to show arrows moving in the direction of the constellating clues that gather around the Lucy set. Clear enough?
So what you're going to see and develop with me in this talk and the two closely related succeeding talks is the actual formation of a super-cluster of constellating clues based on the Lucy set. I don't think I have to remind you that the operating premise of this investigation is simple. What is to be demonstrated, QED, is if and how the actual sovereign plenary intelligence of this planet, in the form of a divine feminine agency, is reaching to humanity and teaching humanity how to participate in her correction, which is an event uniquely defined in the narrative coming from the Gnostic mystery schools. Yeah, okay, that's the premise.
It might be rewarding to you to see if you can repeat what I just said in that sentence. In your own words, or very close to my wording, don't worry about parroting me. I'm not some devious cult leader who wants to have you repeat everything I say in a robotic fashion, like the mind-controlled victims of a cult. Not at all. Think of me more as a music teacher. When you go into the studio to study music, you repeat bars and chords that are played by the music teacher until you learn how to play them yourself.
I'd like to point out before I take a swing at the Berenstain bears that the notion that a Shakti or divine feminine goddess entity teaches the human species is not novel. It's traditional, especially in Hindu mythology and Hindu tantra. You see in the tracking page, on the tracking page, that I've cited a paragraph from the Garland of Letters, which goes like this.
There is but one cause of speech as also of all things in the universe, which it denotes, and also of the mental apprehension, pratyaya, or going towards the object of the mind. That cause is the Supreme Devī Sarasvati, mother of the Vedas and of the worlds manifesting as name and form. She is thus the Supreme Śakti to whom a title is given, taken from one of Her productions, the manifested word or speech. The musical instrument, vina, she holds denotes all sounds of which she is the mother. White are her garments and transparent whiteness is the color of both akasha, which is plasma, and buddhi, which is nucleic acid. Her name means flow or motion.
So Sarasvati would be the equivalent of Namosini, the mother of the nine muses. And as you know by now, Y9, winning nine, is the super-learning event. The mother signals to us in a musical and melodious fashion, through the beauty of the language she uses, and the beauty of the associations that she configures in your mind when you are attentive to her signals. She signals by memes, not memes. Feel the burn, Black Lives Matter, those are memes. She does not signal through memes, which are vulgar social constructions, usually with a heavy political agenda attached to them.
She signals through memes, the archetypal constructs that Jung investigated at the beginning of the 20th century. Woden hung on the world tree, that's a meme. Ishtar descends, that's a meme. Gilgamesh seeks immortality, that's a meme, they are mythological themes or myth themes that are present in the subconscious repository of the human mind, they belong to the entire human race and what she does now, the divine mother acting rather like the Celtic witch Caridwen, she stirs her cauldron, she stirs her cauldron full of melodious and methodical memes and myth themes and mythological themes and schemes. She stirs it and when the drops come off her ladle and drop on your tongue, you are transformed into a poet and seer, as happens to Taliesin or Gwydion in the Welsh tale. And so it goes.
On that happy note, let's proceed to this singular piece that's been sitting up here in the corner for a while. And every once in a while, you look away from the super-cluster and you kind of scan the individual pieces on the table, right, inside the frame. And you think, damn, Berenstain bears, where does that fit in? That's a big one. That has really had a lot of impact and it had a lot to do, as you know, as you probably know, with establishing the Mandela Effect as a phenomenon worth paying attention to.
So you see that I've indicated there the notation that I proposed at the beginning of my channel. The former or occluded version Berenstein is in bold. Then there's a forward arrow indicating the shift and the current occluding version, which is evident in the current record of the internet and of printed books and of verbal testimony and the memory of many people, the current record is Berenstain. And those who see it as Berenstain say, well, it was always Berenstain.
I have to say that I get a sensation like someone breathing very softly on the hairs in the back of my neck when I look at Baronstain. I don't remember either actually because I don't know this material, but when I look at Baronstain, I get this sensation in the back of my neck, which is the same as I get when I look at Arnaz.
Now I do remember Desi Arnez, and when I look at Arnaz, I think come on, who are you kidding here? No Spanish, Hispanic, Latino name, ever ends in Naz, they all end in Nez. And when I look at Berenstain, I think the same thing. I mean are you putting me on here? Stain is not the end of a German name as far as I know, or if it is it's not a German name that is familiar or comes easily to mind, so there's an alert in the signal. It comes with a bit of a fuzzy alert, you could say, but let's look at where it takes us.
Well Stein obviously in German means stone and it's present in many many German names like Rubenstein, Einstein, many, many German names. But Stein, being stone in German, also refers to Elixir, which is the stone, which is the name for the philosopher's stone, which is also called the white stone, and which is identical to the grail. Well, bingo! Here you have the initial clue of a matching.
The matching occurs, as Jung noted in those word association tests he conducted around 1904. The matching occurs when there is a free association of words or images that have the same feeling tone to them. They have the same meaning, but also the same feeling tone. That's very important to bear in mind, that the body feels the tonal connection and the tonal concatenation of these themes. It’s not just the mind that catches the association in a word association test.
Likewise in this investigation it's not just your mind. Your mind is your Snoopy faculty. It’s your probative nose. And by the way, the suffix Nez in Spanish means nose. In French, nay, your nose, nez.
So anyway, the probative faculty operates through the entire body. It operates at a feeling level. It operates through the electricity on your skin. And so, this is a whole body investigation that we're undertaking. So these terms are powerfully charged emotive complexes. Elixir from the Arabic El meaning the and Ixir meaning stone, the white stone, the philosopher's stone, the grail. And of course, if you were to go and consult with a veteran detective who had investigated the crime of who hid the Holy Grail or who stole the Holy Grail, then you would learn from that veteran detective that the Grail was a stone according to the pagan and pre-Christian traditions.
It was not the cup that was used at the Last Supper. It was not a chalice used to collect the blood of Jesus. That was a later conflation of the grail with Christian salvationist ideology and the blood ritual cannibalism of Christianity. In its purity, the grail is a stone, a white stone. It has nothing to do with the chalice, which is a symbol of blood drinking, which is a symbol of vampirism.
“Interview with a Vampire”, that's another isolated piece over there on the table. Maybe that's going to fit in here sometime soon. So, those are just allusions for now. Those are just possibilities of a fit or a match. But what does Berenstain mean?
Well, the word Berenstain or Bernstein, which is almost exactly pronounced in the same way, Bernstein is practically indistinguishable from Berenstain. I guess Berenstain bears was the best she could find. What a scanning process she must be undergoing to bring off this event. So, yes, Bernstein means amber in German.
So, the amber, does that give you a bit of a shiver? The amber, the material amber is somehow associated with the grail, with the elixir, with the stone and with Lucifer. And the true Lucifer is Sophia. So, what's happening here? Well, it's not exactly a fit yet. You have to imagine that the Berenstein Berenstain piece is a large singular piece in itself and it has a rather complex pattern of insets and tongues. So we're kind of moving it around, rotating it to see where it might fit into the Lucy set. And it seems like there's a fit here somewhere, but where are the clues leading? Work the evidence.
Well, if Bernstein in German means amber, the substance of amber, then what could Bernstain mean? It suggests something like an amber stain, a stain of amber. Well, this is a bizarre notion, I ask you, really. Whatever moment of your life or day or hour you're hearing me talk right now, have you ever heard of anything such as an amber stain? What is an amber stain? Or a stain of amber?
Well, first you have to have the amber, the substance of amber, and then you have to stain it. Amber is actually a resin and resin is clear, isn't it? So, the stain of amber is a stain on a substance. So, if you look at this clue closely, examine this clue closely and it suggests some kind of substance with an amber colored stain in it, or what in the world could that be? Now remember that to be Snoopy and to be a good Gnostic detective, you have to have forensic skills, and the science of forensics is always somewhere in the back of our mind as we proceed with this investigation, isn't it?
And in forensics today, what is the first thing that comes up, or I would say almost always comes up, when a crime has been committed, especially if it's a crime involving physical harm, such as rape or bodily assault or murder. What is the first forensic test that is undertaken at the crime scene? Well, isn't it the search for DNA evidence? Such a procedure is at the forefront in modern forensics, in modern criminal forensics. It is the leading procedure.
So, a little bit of word association here. Does the amber stain in Bernstein somehow refer to the staining process that is used in the identification of subjects or suspects or perpetrators by DNA? Staining is the process investigating DNA and establishing DNA evidence, the identity of a piece of evidence with a suspect who has the same DNA as found on that evidence, right? That is called a DNA match. Well, how to pursue this clue? Simple enough. Go to a search engine and put in Amber plus DNA sequencing and see what comes up. Now I'm going to read this right off the screen. And as I do so, I would enjoy it if you pictured yourself as a team standing around me. We're a detective team here and you're standing around me and you each have in your hand that little flip open notebook that detectives used to carry. I don't know if they still do, and you have your trusty pencil or pen, and you're writing down possible leads and notes, and making notes about suspects and possible chains of association, evidence chains, that come up as we work the crime scene.
So I want you to picture yourself standing there with your little pad and see what you would like to write down as I read the first four entries. Well, out of 480,000 results, the first one says targeted DNA sequencing from Illumina.com. Well, you might want to write down Illumina. Does this have anything to do with Illuminati? Hmm, well that's a rabbit hole. Well, write it down, Illumina question mark. You know, you see it so often in detective films, don't you? The vigilant detective, the vigilant sleuth is standing there and he or she writes down in his notepad a word and then the film cuts to a close on of that word, you know, Illumina, question mark. Well, maybe it's relevant, we don't know.
Scholarly articles for amber and DNA sequencing, a system of shotgun DNA sequencing. Okay, well this is obviously going to go into some pretty densely technical material. We'll pass that one. Ancient DNA. Hmm, this is curious. Wow, this sounds really obscure. What is this? Wait a minute. Lebanese amber encased weevils. Wowzer. Now there's a clue for you. Weevils. You know, the word evil in weevils. Weevils. What are weevils? It makes me think of like bugs like, what? Earwigs. Weevils. Bow-weevils. Do you ever wonder if earwigs can actually climb into your ear and get to your brain? Hmm. You know, there's a lot of legend about that and folklore about insects climbing into the brain through the channel of the ear. I wonder if that would be relevant somewhere along the way. Just make a note of that for now, okay?
Medical authorities and insectologists, I guess that's what you call them, would more or less hold the consensus that no, weevils and earwigs don't do that, but there is vast folklore that says they do. And although that seems remote at this moment, well, we might return to that clue later on in the investigation. So make a note of that.
Entry four, stop codan. Stop codon. Well how about stopping right here? Because maybe the code is on right here with this entry. In the genetic code a stop codon or termination codon is a nucleotide triplet with messenger RNA that signals determination of translation into proteins. Man, that sounds pretty important. That sounds like really important stuff. Now, let's not get bogged down in all the technicalities of what a stop codon is. Let's just click to amber, ochre, and opal.
Seems like an obvious place to go next, right? Well, hang on to your booties. I would love to see you. I would love to see the expression on your face. You standing there holding your little pad, diligently waiting for the next clue to drop. And there it is. Amber mutations were the first set of nonsense mutations to be discovered, isolated by Richard Epstein and Charles Steinberg, and named after their friend Harris Berenstein, whose last name means amber in German. Hey, I told you it was a jagged clue.
As you shall now learn, because I got some splainin’ to do, this is also an extraordinarily vivid and rich clue. A clue that takes us very, very deeply the heart of this investigation and into the heart of the most esoteric wisdom of the Sophianic Mysteries.
So it's up to me as lead detective on this case to work this evidence for you on the basis of what I know about the Sophianic Mystery schools and what they taught, because this clue refers directly to those schools and to that sacred tradition of the pre-christian pagan mysteries. But before I go there, just want to have you note that along with this clue, extraordinary clue, the hard evidence presents a kind of three cherry event in the one-armed bandit. What do you think are the odds that the word Stein, which means stone and associates subliminally to the grail, which is the body of the goddess Sophia, the true Lucifer, what do you think the odds are that the word stone would show up three times in the same sentence relating to the discovery of the amber mutation, U-A-G? What do you think are the odds of that?
Do you think that the CERN d-wave supercomputer could have come up with a scientific investigation, a record of a scientific investigation in DNA sequencing that popped up three steins, three stones in the windows of the one armed bandit of the gambling mind. I don't think so. But there is some intelligence that can scan and search and reference these elements on the fracking internet and bring them to your attention exactly in the way that it, she, I am doing right now.
I want to emphasize again the contrast between IT, informational technology, and ET, the extraterrestrial archontic presence. ETs did not create IT. That is a blessed fact. Human intelligence created IT. Sophia designed human intelligence, therefore by extension she created IT and she can do anything with it that she likes. Clear enough?
Ok, now I would obviously have to take an entire installment to discuss what happens in RNA and DNA sequences through the action of the amber mutation and the so-called nonsense mutation that changes a sense codon into a translational stop codon, causing premature termination of the polypeptide chain during translation. I'll just tell you what it is in two sentences and then I'll expand on it for 30 minutes in another talk, okay? And if I don't do it soon, nudge me and remind me. What this is about is about epigenesis. It's about reverse reverse transcriptase, which is the chemical that RNA uses to rewrite DNA. The process which is consciously accessible to you as a human animal by which RNA can rewrite DNA is called epigenesis.
So this mysterious and somewhat comical biochemical jargon referring to a nonsense mutation actually refers to the divinely endowed capacity for the human being to mutate itself to evolve from what is called in Gnostic intel Anthropos 10 into Anthropos 11. And this mutation, which is epigenetically accomplished by human will and desire and intelligence and steered by the Aeonic mother, actually results in the split off of the human species in the division into two branches. One is Anthropos 10, which dies off, and the other is Anthropos 11, which continues to live out the originally intended, non-deviated designs and purposes of this divine experiment.
Well, I guess I'm anticipating a little bit here. But obviously, I'm pretty excited about the amber stain. Now I included some technical jargon there. Don't get lost. Don't go down that rabbit hole. Just glance over it. I've also included a reference to the book, “Operators and Promoters”, which describes this momentous discovery in molecular biology, which was named after the student Harris Bernstein. Bernstein means amber in German.
And I will get back to that book, oh believe me I will, I will take you right back to that book or more specifically a review of that book that that I happen to investigate today, being as snoopy as I can be at 1 30 a.m. in the morning, but for right now, in conclusion, and I can't tell you how good this feels, how about if I tell you my reaction to finding out that amber mutations were discovered by Richard Epstein and Charles Steinberg along with their friend and graduate student Harris Berenstein, after whom the phenomenon was named?
Well, what was my reaction? Well, I was a little surprised, to tell you the truth, because I thought I was the person who discovered the Amber Mutation. Now, you'll see on the a tracking page, a paragraph taken out of metahistory.org that was probably written, I don't know, six, seven years ago, and it goes like this.
“Amber is a hue displayed by the organic light when Gaia Sophia expresses her pleasure in attaining the human connection, she seeks for her correction. Castaneda noted that amber is the particular hue indicating the presence of organic life in the many great bands of emanation that comprise the infrastructure of the cosmos.
“Amber might be called the hue of selection. But this is supernatural, not natural selection. The planetary animal mother is totally at every moment in the long-term cycles of her body in intimate communion with the immense variety of life forms she generates.
“She can resurrect any species at will. See the Cambrian explosion. But uniquely she selects from human individuals who steadily behold her light. Those hues of intensity that define the experience of that unique person, that witness, and permutates those hues into the root base code of a species to come."
Now, if you go to metahistory.org, you'll find on the home page in the right hand column a search function. Go into that search function and put in amber plus stain and see what comes up.
I have written and spoken extensively over I don't know how many years now of the amber stain, of the amber blush in the organic light, which is the luminosity of the planet Earth itself. The Earth is a radiant body. Lucille Ball. I love Lucy. And the amber stain is a hue that arises in the perfect whiteness of the organic light witnessed in the sanctuaries of the mystery cells of the ancient Gnostic schools.
The Berenstain Berenstein clue goes directly to Snow White, to Noxzema, and to the shock of wheat. So that's how we will continue this investigation in the next two talks, closely related to this one. Number 36 is wheat shock, and number 37 is proof that Sophia is interactive with this investigation. Remember I said, not too long ago, few days back, it's gonna get vivid and interactive, and I have the proof that is the case and so do you have the proof and don't ever forget really what is the most important thing about this investigation: that you are the proof that Sophia's correction is real. That is the ultimate proof. You are the ultimate proof. You are the instruments of Bronte, teleos nous, “Thunder Perfect Mind”.
Out of the infinite silence of her knowing in your mind, you know as she knows, she gives you her mind, as I said, in Not in His Image. And I will cite that passage in the upcoming installment. So for right now, I'll leave it at this. Oh, but one other thing, you know, I'm sort of like Columbo, you know, he's about to go out of the room, doesn't have any more questions, and then he stops at the door and says, oh, yeah, one more thing. Staying in my wrinkled raincoat, right?
Everything is material. The organic light, the luminosity of the body of the earth is material. That's why it's been compared to a stone, because it has substantial density. In fact, it has infinite density and zero mass, and that is a very great fact. And the amber stain is also material, and you can actually see it. Anyone can see it. Go look out in the night sky at a time of the year like now, when you can see the constellation of Orion, and look at those three stars that mark the belt of Orion, and go down from right to left, one, two, to the third star, and then look down from the third star, and you will see a blotch.
That blotch is M42, the Orion Nebula. And the color of that blotch is amber with a smoky tinge. There is the amber stain in the sky. And according to the Sophianic narrative of the mysteries, which we shall now begin to include in this investigation as the guiding thread of the entire process, according to the Sophianic narrative of the mysteries, in the Orion Nebula, in the molecular cloud, which has an amber stain tinged with smokiness, is where the human genome is deposited and from there every variant of the Anthropos spreads out on mycelium threads into planetary laboratories strewn across the galactic limbs.
I leave you with that vision and until the next time, may your attention be rewarded by the truth.